Posts Tagged ‘Art’

Book design_La Talpa/manifestolibri

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luca basso, manifestolibri, spazio Marx, agire in comune

La Talpa/manifestolibri, book cover design and image. Here, Luca Basso, Agire in comune (series: spazio Marx). 2021


luca basso, manifestolibri, spazio Marx, agire in comune


Massimo Canevacci, Meta-feticismo

La Talpa/manifestolibri, book cover design and cover photography. Here, Massimo Canevacci, Meta-feticismo (series: esplorazioni). 2022


Cristina Morini, Vite lavorate

La Talpa/manifestolibri, book cover design and cover image. Here, Cristina Morini, Vite lavorate (series: parola di donna). 2022


Augusto Illuminati, Ricominciare sempre di nuovo

La Talpa/manifestolibri, book cover design and cover image. Here, Augusto Illuminati, Ricominciare… (series: esplorazioni). 2022


Perrone, Quarta, Fine stigma mai

La Talpa/manifestolibri, book cover design and cover photography. Here, Persone, Quarta, Fine stigma, mai (series: esplorazioni). 2022


Rossana Rossanda, manifestolibri, parola di donna, le altre

La Talpa/manifestolibri, book cover design and image. Here, Rossana Rossanda, Le altre (series: parola di donna). 2021


Francesco Raparelli, manifestolibri, esplorazioni, singolarità e istituzioni

La Talpa/manifestolibri, book cover design. Here, Francesco Raparelli, Singolarità e istituzioni (series: esplorazioni). 2021


Ida Dominijanni, manifestolibri, contemporanea, 2011 un archivio

La Talpa/manifestolibri, book cover design. Here, Ida Dominijanni, 2001. Un archivio (series: contemporanea). 2021


Book design_Fons perdut de núvols

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FPN _ Andres Galeano

Andres Galeano, FPN (FONS PERDUT DE NÚVOLS/FONDO PERDIDO DE NUBES/LOST CLOUDS ARCHIVE), 2021 (all images courtesy of the artist)


FPN _ Andres Galeano


FPN _ Andres Galeano

TEMENOS – The Young Dramatic Idol

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Everything but the face of god

TEMENOS (The Young Dramatic Idol), Everything but the face of god (2020)


Milking the back side

TEMENOS (The Young Dramatic Idol), Milking the back side (2020)


Nachdenken Vorlegen Llegando

TEMENOS (The Young Dramatic Idol), Nachdenken Vorlegen Llegando (2020)


As a kid, I lived in a Trunk

TEMENOS (The Young Dramatic Idol), As a kid I lived in a trunk (2020)


New wounds for old stones, while waiting for the pirate lord

TEMENOS (The Young Dramatic Idol), New wounds for old stones, while waiting for the pirate lord (2020)


TEMENOS – Acqua

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Brujo-hunting with dark gorilla in a pool

TEMENOS (Acqua), Brujo-hunting with dark gorilla in a pool (2020)


oh there you are, little traveller... Still up for feeding

TEMENOS (Acqua), oh there you are, little traveller… Still up for feeding (2020)


A scratch far for (submersos)

TEMENOS (Acqua), A scratch far for (submersos) (2020)


La lupe banana tiene manos grandotas y un hombresote running para buscar el mar

TEMENOS (Acqua), La lupe banana tiene manos grandotas y un hombresote running para buscar el mar (2020)


Push

TEMENOS (Acqua), Push (2020)


The-party

TEMENOS (Acqua), The Party (2020)


TEMENOS – Peribolos

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Flyer

TEMENOS (Peribolos), Flyer (2020)


Landing

TEMENOS (Peribolos), Landing (2020)


Postcard greetings from a head on an island

TEMENOS (Peribolos), Postcard greetings from a head on an island (2020)


en vojage 1

TEMENOS (Peribolos), Vojage (2020) (private collection)


en vojage 2

TEMENOS (Peribolos), Vojage (2020)


limits of summer en vojage 3

TEMENOS (Peribolos), Limits (2020)


Seagull view two

TEMENOS (Peribolos), Seagull (2020)


Seagull view

TEMENOS (Peribolos), Seagull (2020)


TEMENOS – Alberi Fanatici

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Du sorte temenos, bleak

TEMENOS (Alberi fanatici), Tu oscura piega (2020)


Agarralo

TEMENOS (Alberi fanatici), Agarra (2020)


And because at some point the bridge burns all drawings

TEMENOS (Alberi fanatici), And because at some point the bridge burns all drawings (2020)


Close to the end of the ritual dance, sliding and sleeping between plancton state and vegetal breath, he took his head and shaped it into a burning black flame

TEMENOS (Alberi fanatici), Close to the end of the ritual dance, sliding and sleeping between plancton state and vegetal breath, he took his head and shaped it into a burning black flame (2020)


First Attack

TEMENOS (Alberi fanatici), First Attack (2020)


Gone

TEMENOS (Alberi fanatici), Gone (2020)


Heavybody

TEMENOS (Alberi fanatici), Heavybody (2020)


Learning Fire

TEMENOS (Alberi fanatici), Learning Fire (2020) (private collection)


Los poemas estan borrchaos de poetas

TEMENOS (Alberi fanatici), Los poemas estan borrachos con poetas (2020)


Measuring the Kingdom

TEMENOS (Alberi fanatici), Measuring the Kingdom (2020)


Next rehersal not you

TEMENOS (Alberi fanatici), not you (2020)


Sacrificio

TEMENOS (Alberi fanatici), Sacrificio (2020)


Second React

TEMENOS (Alberi fanatici), Second React (2020)


shift

TEMENOS (Alberi fanatici), Shift (2020)


sleep 2

TEMENOS (Alberi fanatici), Sleep (2020)


sleep

TEMENOS (Alberi fanatici), Sleep (2020)


Sleeping too long in the black temenos of #coal, i have lost my wolf fingernails

TEMENOS (Alberi fanatici), Sleeping for too long in the black temenos, i have lost my wolf fingernails (2020)


Teaching

TEMENOS (Alberi fanatici), Teaching (2020)


That

TEMENOS (Alberi fanatici), That (2020)


The Kiss

TEMENOS (Alberi fanatici), The Kiss (2020) (private collection)


Photography_Waiting (2019)

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Atelier Andrea Nicolo_Waiting_Red Flower

Waiting. Red Flower (2019)


Atelier Andrea Nicolo_Waiting_Green and Rust

Waiting. Green and Rust (2019)


Atelier Andrea Nicolo_Waiting_Purple Flower

Waiting. Purple Flower (2019)


Shop (2019)

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window shop, 2019

Shop, 2019


window shop, 2019

Shop, 2019


window shop, 2019

Shop, 2019


Piel (2019)

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Piel_A

Piel, 2019

Temenos (2019)

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Temenos (2019)

Temenos (2019)


El Perro y Dios (2019)

El Perro y Dios (2019)


Enemy (2019)

Enemy (2019)


Las Serpentas (2019)

Las Serpentas (2019)


Partial Albedo de Tres, missing One (2019)

Partial Albedo de Tres, missing One (2019)


The Missing Fourth (2019)

The Missing Fourth (2019)


The Monkey admitted into the Temenos (2019)

The Monkey admitted into the Temenos (2019)


Double Shadow (2019)

Double Shadow (2019)


Sheltering the Shadow (2019)

Sheltering the Shadow (2019)


Entering (2019)

Entering (2019)


Trunk (2019)

Trunk (2019)


The sphinxs in the Temenos (2019)

The sphinxs in the Temenos (2019)


Booklet design _ “Dearest Videos”, curated by Antoanetta Marinov, at Galerija Podroom, Belgrad (2018)

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Dearest Videos, Antoanetta Marinov, Belgrad, 2108

Booklet design → “Dearest Videos”, 2018


Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108

From the exhibition statement: “… as a minimal, conceptual artist Antoanetta Marinov questions how to make stories and pictures by means of minimal and reduced actions and gestures. In performative moving images objects of everyday-day-life are combined and used in a way to make video narratives arise; Well known gestures and situation, freed from their linearity, become material of the video composition through the technical devices of the medium. The selection of videos focus on the possibilities offered by the medium video itsself and on formal strategies adopted to construct the moving picture and create narrative moments: how can an idea be made visible/viewable and what happens to the idea getting through the specific medium? (…)”


desert idola variations (2019)

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desert idols variations - my skull (2019)

desert idols variations – m skull b (2019)


desert idols variations - OT_Calling (2019)

desert idols variations – OT_Calling (2019)

Sadian, 2018-2019

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sadian watercolors, 2018

Sadian watercolors (2018-2019)


sadian watercolors, 2018
sadian watercolors, 2018
sadian watercolors, 2018
sadian watercolors, 2018
sadian watercolors, 2018

wreck, 2018

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falling in the wreck_1

wreck (#1), 2018


falling in the wreck_2

wreck (#2), 2018


falling in the wreck _3

wreck (#3), 2018


Untitled: for a letter (2018)

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untitled (cock nest)

Untitled (cock nest), 2018


untitled (il cuore di carne)

Untitled (il cuore in carne), 2018


untitled (rising)

Untitled (rising city blur), 2018


Illustration _ DUMMY MAGAZINE

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DUMMY MAfGAZINE nr. 61_2018

Illustrations → DUMMY Magazine, nr. 61, “Schwarz und Weiss” (2018)


DUMMY MAfGAZINE nr. 61_2018
DUMMY MAfGAZINE nr. 61_2018

Exhibition booklet_Songs To You About You (Islands Songs @ Arge Kunst Bozen 2018)

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Forest-new-cover

Exhibition booklet (Front cover) → “Songs To You About You” by Islands Songs (Nicolas Perret & Silvia Ploner) @ ar/ge kunst, 2018. On the cover, “Void Fish Blinks Blind #1”, artwork I made in 2018.

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Exhibition booklet (Back cover)


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(from the curator’s statement) …The nucleus of the project is the 7.1 channel sound installation “The Forest Within – Within The Forest”, a collaboration with Colombian anthropologist and biologist César Enrique Giraldo Herrera. Entangling a spoken fabulation with a polyphonic speculative score, the piece investigates indigenous narratives and knowledge of the natural world as well as sound and listening as methods for exploring the ‘non-tangible’. While the fabulation, co-written by Giraldo Herrera, sounds out animist understandings of reality by adopting various perspectives, the polyphonic score is inspired by shamanic conversations with the ‘forest within’ and delves into interspecies communications in the Amazon rainforest…


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Island S0ngs_Arge Kunst_03_1000px


Island S0ngs_Arge Kunst_04_1000px


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Sample pages showing the 3 different languages (En, It, Ger)


Void Fish Blinks Blind @ Transart Festiival with Charlemagne Palestine

A color-inverted version of the artwork has been used as visual in the collaboration with Transart Festival 18 and the special event with the american composer Charlemagne Palestine.

(from the curator’s statement) …With “For Indigenous Yeasts and other Microbes”, the second work presented at ar/ge kunst, Islands Songs have set the process of transforming grape juice into wine to a soundtrack consisting of three acts written for and dedicated to microorganisms active in the production of wine. The piece – both an experiment with South Tyrolian vintner Thomas Niedermayr (Hof Gandberg, Appiano) and a soundtrack realised in collaboration with American artist and composer Charlemagne Palestine – refers to the ancient tradition of humans and microbial communities collaborating to produce food and beverages.

Void Fish Blinks Blind (2018)

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Void Fish Blinks Blind #1

Void Fish Blinks Blind #1, 2018

Void Fish Blinks Blind #2

Void Fish Blinks Blind #2, 2018

Void Fish Blinks Blind #3

Void Fish Blinks Blind #3, 2018

Void Fish Blinks Blind #4

Void Fish Blinks Blind #4, 2018

Void Fish Blinks Blind #5

Void Fish Blinks Blind #5, 2018

Void Fish Blinks Blind #6

Void Fish Blinks Blind #6, 2018

Void Fish Blinks Blind #7

Void Fish Blinks Blind #7, 2018

Void Fish Blinks Blind #8

Void Fish Blinks Blind #8, 2018

Illustration_Il 1968 spiegato a ragazze e ragazzi (manifestolibri 2018)

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Il 1968 raccontato a ragazze e ragazzi, Marco Grispigni, manifestolibri, 2018

Book design, Illustrations → “Il 1968…” by Marco Grispigni (manifestolibri, 2018)


Nuova_MGrispigni_Copertina_1968_478px_back

All the illustrations are hand-made cut outs and pay open homage to Atelier populaire and the french graphics of the period.


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The Black Panther


1968_sanpietrino

“Moins de vingt ans voici votre bulletin de vote….”


manifestolibri_marco grispigni_1968

Put flowers in your guns…


manifestolibri_marco grispigni_1968

Marching…


manifestolibri_marco grispigni_1968

The factory…


Graphic design_Visuals for “Il 1968 spiegato a ragazze e ragazzi” (2018)

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Francia_68_550px

“1968…” – France


1968 _ page2

“1968…” – USA


VietnamWar_68_550px

“1968…” – Vietnam


MaggioFrancese__68_550px

“1968…” – France


maggio_68_doppia_550px

“1968…” – France


maggio_68_detail

“1968…” – France (detail)


Italia_68_550px

“1968…” – Italy


Londra_68

“1968…” – Germany and England


RepressioneEstEuropa_68

“1968…” – East Europe


Cina_1968_Singola

“1968…” – Japan and China


USA_68_550px

“1968…” – USA


Miti_68_550px

“1968…”


mexicoolimpics_68_550px

“1968…” – Olympic games in Mexico City


mexicoolimpics_68_Singola

“1968…” – Olympic games in Mexico City (detail)


Vietnam_War_68_550px

“1968…” – Vietnam

Graphic design_Il 1968 spiegato a ragazze e ragazzi (2018)

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Il 1968 raccontato a ragazze e ragazzi, Marco Grispigni, manifestolibri, 2018

Book design, Illustrations → “Il 1968…” by Marco Grispigni (manifestolibri, 2018)


Nuova_MGrispigni_Copertina_1968_478px_back

“Il 1968…”. Back cover


sommario_68_550pxhig

“Il 1968…”. Content pages


opening-1968_550pxhigh

“Il 1968…”. Spread example


maggio_68_doppia_550pxH

“Il 1968…”. Double page illustration


MaggioFrancese__68_spread_550pxH

“Il 1968…”. Spread example


mappa01_68_550pxH


mappa02_68_550pxHi

“Il 1968…”. The world map


Cina_68_550pxH

“Il 1968…”. Spread example


mexicoolimpics_68_spread_550pxH

“Il 1968…”. A double page spread illustration


parolechiave_68_550pxH

“Il 1968…”. Keywords: sample pages


cronologia_doppia_550pxH

“Il 1968…”. Chronology: sample pages

Wasting Time – Vol. 1 The Nature Edition

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WastingTime_Vol1_InstallationView_AndreaNicolo_2018

Wasting Time – Vol. 1 The Nature Edition. Installation view, 2018

WastingTime_Vol1_InstallationView_30_AndreaNicolò_Solar Waves Music Score_2017

Solar Waves Music Score (Calligraphic pen on Canson paper, 210 x 297 mm each. As floor installation of six pieces with glasses: dimension variable, 2017) (detail)

WastingTime_Vol1_InstallationView_31_AndreaNicolo_IwasakidwhenIdisappearedbehindtheSun_2017

I was a kid when I disappeared behind the Sun (Black spray paint on 350 gr. paper, 185 x 135 x 30 mm, metal plates, 2017)

WastingTime_Vol1_InstallationView_32_AndreaNicolo_IwasakidwhenIdisappearedbehindtheSun_2017
WastingTime_Vol1_InstallationView_34_AndreaNicolo_IwasakidwhenIdisappearedbehindtheSun_2017 copy


From the curatorial statement: “The pursuit of fast growth is changing the way we use and perceive time. Our current perception of time is that it is something that we can control, manipulate and simulate. We live in ever more productive society, that is constantly surrounded and framed in the context of time. In the first Volume of the exhibition series Wasting Time a selected group of mostly Berlin based artists is questioning the meaning of time as an exorable medium of change, forced by (artificial) nature. In various constellations the artists show a shared interest in the notions of time, and the different ways in which the perception of time can be manipulated through (artificial) nature. Current theories about time-production play a significant role inside the exhibition as well as the reflexive treatment of time and its reception as a cultural dominated construction.”

Human Meant To Be Landscape, 2017

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Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#1/1), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#1/2), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/1), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/2), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/3), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/4), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (your shoes just before leaving, 17) (#3/1), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#3/2), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#3/3), 2017

Emotionally Broken Patterns, 2015

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If I Believe_Poem_web

Emotionally Broken Patterns (City. If I Believe this Poem), 2015


Dogs On The Beach_Poems_web

Emotionally Broken Patterns (Dogs On The Beach. Poem), 2015

A misleading Identity Reader, 2016

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A misleading Identity Reader

A misleading Identity Reader, 2016


A misleading Identity Reader

A misleading Identity Reader, 2016


A misleading Identity Reader

A misleading Identity Reader, 2016

The Clash Of Metallic Glasses, 2016

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The Clash Of Metallic Glasses_A

The Clash Of Metallic Glasses, 2016


The Clash Of Metallic Glasses_B

The Clash Of Metallic Glasses, 2016


The Clash Of Metallic Glasses_C

The Clash Of Metallic Glasses, 2016

Book Design_Google In View

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Andres Galeano _ Google In View (2016)

Book design → “Google In View”, by Andrés Galeano (2016)


Andres Galeano _ Google In View (2016)

Inside the publication, from left to right, the first leporello, the booklet, the second leporello.


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giv_libretto_2_1000px
giv_libretto_3_1000px

Samples from the booklet


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giv_L_pieghevole2_1000px
giv_L_pieghevole3_1000px

The first leporello


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giv_pieghevole_r_2_1000px
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The second leporello


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Back cover


Restored Aura, 2016

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Restored Aura_Print

Restored Aura 01, 2016


Restored Aura_Print

Restored Aura 02, 2106


Restored Aura_Print

Restored Aura 03. 2106


Restored Aura_Print

Restored Aura 04, 2016


Restored Aura_Print

Restored Aura 05, 2016


Restored Aura_Print

Restored Aura 06, 2016


Restored Aura_Print

Restored Aura 07, 2016


Restored Aura_Print

Restored Aura 08, 2016


Restored Aura_Print

Restored Aura 09, 2016


Restored Aura_Print

Restored Aura 10, 2016


Restored Aura_Print

Restored Aura 11, 2016

Meaning The Significance, 2016

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container

Meaning The Significance. Container, 2016


power

Meaning The Significance. Power, 2016


void

Meaning The Significance. Void, 2016


child

Meaning The Significance. Child, 2016


mirroring

Meaning The Significance. Mirroring, 2016


reflection

Meaning The Significance. Reflection, 2016

Covers (selection), 2015

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Virginia Woolf

Covers. A Room for Virginia Woolf (2015)


Kafka

Covers. K owned a Castle (2015)

A Momentary Lapsus in the Night. Bee cool, bee cold, 2015

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JazzNight_ONE

A Momentary Lapsus in the Night. Bee cool, bee cold #1, 2015


JazzNight_TWO

A Momentary Lapsus in the Night. Bee cool, bee cold #2, 2015


JazzNight_THREE

A Momentary Lapsus in the Night. Bee cool, bee cold #3, 2015

Corporate Design _ Corporate design _ Grimmmmm (2014)

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Grimmmm_Logo_WEB2019_72dpi

Grimmuseum → Logotype (2014)


Grimmmm_Logo_WEB2019_72dpi_REV
brand-identity-mockup_grimmmm
Grimmsuem _ Portfolio2020_printed matters

Grimmuseum. Artists portfolios, Exhibition papers, Press release, Invoices, Visiting cards, 2014


KurtSchw_Ursonate

Inspired by musical notations and recordings of the 1932 Ursonate by Dada artist Kurt Schwitters, I designed 5 versions of the logotype (a), plus one only alphabetical (b) for specific media, to freely choose from.

Grimmm_Complete

(a) Grimmuseum’s 5 alternative logotypes, 2014

Grimmm_OnlyType

(b) Grimmuseum’s 5 alternative alphabetical logotypes, 2014


Grimmuseum_JanosFodor_550px

Flyer for Janos Fodor’s exhibition “Overmorrow” at Grimmuseum

Corporate_Design_BPigs_Berlin

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01_overview_bpigs

Visual identity → “BPigs Berlin”. Here, the first issue after the change of name (from Bigs to Bpigs) with the new calligraphic logo, 2013


Bpigs _ calligraphic
Bpigs_calligraphic_new_web72dpi

Above, the BPigs calligraphic logo (2013)


05_detail_list

Galleries and exhibitions list (detail)


bp_poster_side

The backside presented always an artist contribution in poster size


bpigs_covers2

Visual identity. Above, the different versions of the logo from 2009 to 2013


06_mappaart_n

For the 2013 Berlin Art Week issue, the artist Despina Stokou did a special version of the map


03_bigs_overview_mappa

Informations side


04_bigs_detail_mappa_n

The map (detail)


CorporateDesign_Grimmuseum

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Grim_Logo_new_550px

Visual identity, Art direction, design → “Grimmuseum”. Above, logotype


logo_architecture_doors550px

A conceptualized architectonical element of the exhibition space gave the impulse for the logotype design (Here, exhibition view of “MOTION DAZZLE – At the Turn of the River”, by Merete Vyff Slyngborg, 2012. Photo by Laura Gianetti).


What is to be Chinese?, 2012

Invitation for the exhibition “What is to be Chinese?” with Kyungwoo Chun, FX Harsono, Truong Ngu, Tintin Wulia, David Zink Yi and curated by Katerina Valdivia Bruch, 2012


148x74_SoundsforSoloist.indd

Invitation for Cia Rinne’s show “Sounds for Soloists”, curated by Solvey Helweg Ovesen, 2012


Neither here nor there, 2013

Invitation for “Neither Here Nor There. Contemporary Irish” with Mark Curran, Benjamin de Burca, Maurice Doherty, David Hedderman, Jane Hughes, Sophie Iremonger, Eoin Llewellyn, LiFeLooP (aka Séamus O’Donnell) and curated by Jane Hughes & Enda O´Donoghue, 2013


POST-WAR and CONTEMPORARY, 2011

Poster for “POST-WAR and CONTEMPORARY” with Ingvild Hovland Kaldal & Alfred Boman and curated by Jonatan Ahlm Brenander, 2011


paper_grim_550
wall_text_grim_550

Exhibition texts and wall display (Photos by Laura Gianetti)


X O, 2012

Handwritten logotype for “X O”, group show including Benjamin de Burca, Hiwa K., Phanos Kyriacou, Grischa Lichtenberger, Pia Linz, Federico Maddalozzo, Anna Oppermann, Nasan Tur, Kara Uzelman, Jan Vormann and curated by Silvia Ploner and Anna Schäffler, 2012


grim_book_short

Book design of “We Are Not A Museum”. Full project here


never_odd_orange

Catalogue design of “Never Odd or Even”. Full project here


concept_art_book_short

Book design of “Henry Flynt 2011 Concept Art 50 Years”. Full project here


feather_kline_short

Catalogue design for “Feather Throat”. Full project here


i dont need enemies_consiglio_short

Catalogue design for “I Don’t Need Enemies”. Full project here


Logotype D12

Graphic design and identity for “Dirty Dozen – D12″, a series of 6 Alter Ego shows, 2010


projects

Projects series, selection of exhibition flyers. Grimmuseum’s program was divided in 3 main sections: Projects for Visual art, Extension Series for Perfomative art and Whistle, Minotaure! for Sound art. Each of the series was defined by their own specific design


148x74_Minotaure2-1
148x74_Grimmuseum_Whistle05DEF-1
whsi

Graphic design and identity for Whistle Minotaure!, sound art events curated by Francesco Cavaliere and Marcel Türkowsky


ExtensionExtra

Graphic design and identity for Extension Extra, performance festival in the frame of Extension Series


Extension6_Grimmuseum_front
Extension8Web-2
ext-1

Graphic design and identity for Extension Series, performance events curated by Andres Galeano

Design_HenryFlynt_Grimmuseum

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IMG_7583

Book design → “Henry Flynt 2011 Concept Art 50 Years” (2011)


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