Posts Tagged ‘Artworks’

Book design_Fons perdut de núvols

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FPN _ Andres Galeano

Andres Galeano, FPN (FONS PERDUT DE NÚVOLS/FONDO PERDIDO DE NUBES/LOST CLOUDS ARCHIVE), 2021 (all images courtesy of the artist)


FPN _ Andres Galeano


FPN _ Andres Galeano

TEMENOS – The Young Dramatic Idol

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Everything but the face of god

TEMENOS (The Young Dramatic Idol), Everything but the face of god (2020)


Milking the back side

TEMENOS (The Young Dramatic Idol), Milking the back side (2020)


Nachdenken Vorlegen Llegando

TEMENOS (The Young Dramatic Idol), Nachdenken Vorlegen Llegando (2020)


As a kid, I lived in a Trunk

TEMENOS (The Young Dramatic Idol), As a kid I lived in a trunk (2020)


New wounds for old stones, while waiting for the pirate lord

TEMENOS (The Young Dramatic Idol), New wounds for old stones, while waiting for the pirate lord (2020)


TEMENOS – Acqua

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Brujo-hunting with dark gorilla in a pool

TEMENOS (Acqua), Brujo-hunting with dark gorilla in a pool (2020)


oh there you are, little traveller... Still up for feeding

TEMENOS (Acqua), oh there you are, little traveller… Still up for feeding (2020)


A scratch far for (submersos)

TEMENOS (Acqua), A scratch far for (submersos) (2020)


La lupe banana tiene manos grandotas y un hombresote running para buscar el mar

TEMENOS (Acqua), La lupe banana tiene manos grandotas y un hombresote running para buscar el mar (2020)


Push

TEMENOS (Acqua), Push (2020)


The-party

TEMENOS (Acqua), The Party (2020)


TEMENOS – Hieron

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A-postcard-do-not-lie

TEMENOS (Hieron), A postcard do not lie (2021)


And i blind my bounding bow for your, folded borderline

TEMENOS (Hieron), And i blind my bounding bow for your, folded borderline (2020)


Angelo della Storia non si volge piu indietro

TEMENOS (Hieron), L’Angelo della Storia non si volge piu indietro (2020)


Blow-(crack)

TEMENOS (Hieron), Blow (Crack) (2021)


Canzone-sporca-de-la-miseria-mala

TEMENOS (Hieron), Canzone sporca della miseria mala (2021)


Dejar

TEMENOS (Hieron), Dejar (2020)


From here to there, wearing wigs

TEMENOS (Hieron), From here to there, wearing wigs (2020)


Geist vermisst Erkältung, Tante Jut

TEMENOS (Hieron), Geist vermisst Erkältung, Tante Jut (2020)


Girlfriends

TEMENOS (Hieron), Girlfriends (2020)


History lesson - the good is not good

TEMENOS (Hieron), History lesson – the good is not good (2020)


in the black Temenos the two little boys with wooden legs and glass eyes are tired since a while and started dreaming about rolling up the soul of their master

TEMENOS (Hieron), In the black Temenos the two little boys with wooden legs and glass eyes are tired since a while and started dreaming about rolling up the soul of their master (2020)


Just waiting to happen

TEMENOS (Hieron), Just waiting to happen (2020)


La-Crisi

TEMENOS (Hieron), La crisi (2020)


Lo scambio simbolico

TEMENOS (Hieron), Lo scambio simbolico (2020)


Ma-Paw-scratches,-while-the-embodied-figure-reflects-on-the-following-actions

TEMENOS (Hieron), Ma Paw scratches, while the embodied figure reflects on the following actions (2020)


Smoking goat is not always sign of times

TEMENOS (Hieron), Smoking goat is not always sign of times (2020)


Speech

TEMENOS (Hieron), Speech (2021)


Struggle-on-the-side

TEMENOS (Hieron), Struggle on the side (2020)


Teenager-Angst

TEMENOS (Hieron), Teenager Angst (2021)


The guests

TEMENOS (Hieron), The guests (2020)


The third guest made no friends, showing no mercy, and left smashing the fish ball

TEMENOS (Hieron), The third guest made no friends, showing no mercy, and left smashing the fish ball (2020)


The-clown-is-looking-at-the-mirrors,-the-mirrors-are-tired-of-looking-at-the-clown

TEMENOS (Hieron), The clown is looking at the mirrors, the mirrors are tired of looking at the clown (2020)


The-Key

TEMENOS (Hieron), The Key (2020)


Third-One-invited

TEMENOS (Hieron), Third one invited (2020)


Three there

TEMENOS (Hieron), Three there (2020)


Too-many-windows-to-keep-the-toads-outside

TEMENOS (Hieron), Too many windows to keep the toads outside (2020)


Twist

TEMENOS (Hieron), Twist (2020)


we can only do what we know already, because we forgot our souls in the dressing room

TEMENOS (Hieron), We can only do what we know already, because we forgot our souls in the dressing room (2020)


We go through the walls to get there, where the soup is

TEMENOS (Hieron), We go through the walls to get there, where the soup is (2020)


Freeze (2019)

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Lobos de Aqua (2019)

Lobos de Aqua (2019)


Sail home, boy (2019)

Sail home, boy (2019)


Software (2019)

Software (2019)


A certain tone of life (2019)

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A certain tone of life, Amerika_2019

A certain tone of life. In Amerika (2019)


A certain tone of life, Shoe (2019)

A certain tone of life. The stone in the Shoe (2019)


Faust (2019)

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Faust goes lejo de aqui (2019)

Faust goes lejo de aqui (2019)


scimia dei opens doors to fraktur faust (2019)

Scimia dei opens doors to fraktur Faust (2019)


O.T. Dancing (2019)

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O.T_The Reader_2019

O.T. The Reader (2019)


O.T._The Gray Dream_2019

O.T. The Gray Dream (2019)


O.T._Action_2019

O.T. Action (2019)


O.T._Together_2019

O.T. Together (2019)


O.T._From the Window_2019

O.T. Window (2019)


Heliotherapy (2018)

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heliotherapy_one

Heliotherapy #1 (2018)


heliotherapy_three

Heliotherapy #3 (2018)


heliotherapy_two

Heliotherapy #2 (2018)


Booklet design _ “Dearest Videos”, curated by Antoanetta Marinov, at Galerija Podroom, Belgrad (2018)

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Dearest Videos, Antoanetta Marinov, Belgrad, 2108

Booklet design → “Dearest Videos”, 2018


Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108

From the exhibition statement: “… as a minimal, conceptual artist Antoanetta Marinov questions how to make stories and pictures by means of minimal and reduced actions and gestures. In performative moving images objects of everyday-day-life are combined and used in a way to make video narratives arise; Well known gestures and situation, freed from their linearity, become material of the video composition through the technical devices of the medium. The selection of videos focus on the possibilities offered by the medium video itsself and on formal strategies adopted to construct the moving picture and create narrative moments: how can an idea be made visible/viewable and what happens to the idea getting through the specific medium? (…)”


Sadian, 2018-2019

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sadian watercolors, 2018

Sadian watercolors (2018-2019)


sadian watercolors, 2018
sadian watercolors, 2018
sadian watercolors, 2018
sadian watercolors, 2018
sadian watercolors, 2018

wreck, 2018

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falling in the wreck_1

wreck (#1), 2018


falling in the wreck_2

wreck (#2), 2018


falling in the wreck _3

wreck (#3), 2018


Untitled: for a letter (2018)

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untitled (cock nest)

Untitled (cock nest), 2018


untitled (il cuore di carne)

Untitled (il cuore in carne), 2018


untitled (rising)

Untitled (rising city blur), 2018


Untitled (The Offer to A. T.), 2018

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untitled (landscapes littlle fly)

untitled. The Offer (Landscape for a Little Fly), 2018


untitled (flowing cells ar river drops)

untitled. The Offer (Flowing Cells are River Drops), 2018


untitled (landscape for an offer)

untitled. The Offer (Landscape for an Offer), 2018


untitled (oltre lo specchio)

untitled. The Offer (In the Mirror), 2018


untitled (tarkowsky_sketch)

untitled. The Offer (Tarkowsky’s Room), 2108


Illustration _ DUMMY MAGAZINE

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DUMMY MAfGAZINE nr. 61_2018

Illustrations → DUMMY Magazine, nr. 61, “Schwarz und Weiss” (2018)


DUMMY MAfGAZINE nr. 61_2018
DUMMY MAfGAZINE nr. 61_2018

Exhibition booklet_Songs To You About You (Islands Songs @ Arge Kunst Bozen 2018)

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Forest-new-cover

Exhibition booklet (Front cover) → “Songs To You About You” by Islands Songs (Nicolas Perret & Silvia Ploner) @ ar/ge kunst, 2018. On the cover, “Void Fish Blinks Blind #1”, artwork I made in 2018.

Forest-new-coverback

Exhibition booklet (Back cover)


Island Songs_Arge Kunst_01_1000px

(from the curator’s statement) …The nucleus of the project is the 7.1 channel sound installation “The Forest Within – Within The Forest”, a collaboration with Colombian anthropologist and biologist César Enrique Giraldo Herrera. Entangling a spoken fabulation with a polyphonic speculative score, the piece investigates indigenous narratives and knowledge of the natural world as well as sound and listening as methods for exploring the ‘non-tangible’. While the fabulation, co-written by Giraldo Herrera, sounds out animist understandings of reality by adopting various perspectives, the polyphonic score is inspired by shamanic conversations with the ‘forest within’ and delves into interspecies communications in the Amazon rainforest…


Island S0ngs_Arge Kunst_02_1000px


Island S0ngs_Arge Kunst_03_1000px


Island S0ngs_Arge Kunst_04_1000px


Island S0ngs_Arge Kunst_05_1000px


Island S0ngs_Arge Kunst_06_1000px

Sample pages showing the 3 different languages (En, It, Ger)


Void Fish Blinks Blind @ Transart Festiival with Charlemagne Palestine

A color-inverted version of the artwork has been used as visual in the collaboration with Transart Festival 18 and the special event with the american composer Charlemagne Palestine.

(from the curator’s statement) …With “For Indigenous Yeasts and other Microbes”, the second work presented at ar/ge kunst, Islands Songs have set the process of transforming grape juice into wine to a soundtrack consisting of three acts written for and dedicated to microorganisms active in the production of wine. The piece – both an experiment with South Tyrolian vintner Thomas Niedermayr (Hof Gandberg, Appiano) and a soundtrack realised in collaboration with American artist and composer Charlemagne Palestine – refers to the ancient tradition of humans and microbial communities collaborating to produce food and beverages.

Void Fish Blinks Blind (2018)

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Void Fish Blinks Blind #1

Void Fish Blinks Blind #1, 2018

Void Fish Blinks Blind #2

Void Fish Blinks Blind #2, 2018

Void Fish Blinks Blind #3

Void Fish Blinks Blind #3, 2018

Void Fish Blinks Blind #4

Void Fish Blinks Blind #4, 2018

Void Fish Blinks Blind #5

Void Fish Blinks Blind #5, 2018

Void Fish Blinks Blind #6

Void Fish Blinks Blind #6, 2018

Void Fish Blinks Blind #7

Void Fish Blinks Blind #7, 2018

Void Fish Blinks Blind #8

Void Fish Blinks Blind #8, 2018

Illustration_Il 1968 spiegato a ragazze e ragazzi (manifestolibri 2018)

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Il 1968 raccontato a ragazze e ragazzi, Marco Grispigni, manifestolibri, 2018

Book design, Illustrations → “Il 1968…” by Marco Grispigni (manifestolibri, 2018)


Nuova_MGrispigni_Copertina_1968_478px_back

All the illustrations are hand-made cut outs and pay open homage to Atelier populaire and the french graphics of the period.


1968_black_panter

The Black Panther


1968_sanpietrino

“Moins de vingt ans voici votre bulletin de vote….”


manifestolibri_marco grispigni_1968

Put flowers in your guns…


manifestolibri_marco grispigni_1968

Marching…


manifestolibri_marco grispigni_1968

The factory…


Graphic design_Visuals for “Il 1968 spiegato a ragazze e ragazzi” (2018)

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Francia_68_550px

“1968…” – France


1968 _ page2

“1968…” – USA


VietnamWar_68_550px

“1968…” – Vietnam


MaggioFrancese__68_550px

“1968…” – France


maggio_68_doppia_550px

“1968…” – France


maggio_68_detail

“1968…” – France (detail)


Italia_68_550px

“1968…” – Italy


Londra_68

“1968…” – Germany and England


RepressioneEstEuropa_68

“1968…” – East Europe


Cina_1968_Singola

“1968…” – Japan and China


USA_68_550px

“1968…” – USA


Miti_68_550px

“1968…”


mexicoolimpics_68_550px

“1968…” – Olympic games in Mexico City


mexicoolimpics_68_Singola

“1968…” – Olympic games in Mexico City (detail)


Vietnam_War_68_550px

“1968…” – Vietnam

Wasting Time – Vol. 1 The Nature Edition

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WastingTime_Vol1_InstallationView_AndreaNicolo_2018

Wasting Time – Vol. 1 The Nature Edition. Installation view, 2018

WastingTime_Vol1_InstallationView_30_AndreaNicolò_Solar Waves Music Score_2017

Solar Waves Music Score (Calligraphic pen on Canson paper, 210 x 297 mm each. As floor installation of six pieces with glasses: dimension variable, 2017) (detail)

WastingTime_Vol1_InstallationView_31_AndreaNicolo_IwasakidwhenIdisappearedbehindtheSun_2017

I was a kid when I disappeared behind the Sun (Black spray paint on 350 gr. paper, 185 x 135 x 30 mm, metal plates, 2017)

WastingTime_Vol1_InstallationView_32_AndreaNicolo_IwasakidwhenIdisappearedbehindtheSun_2017
WastingTime_Vol1_InstallationView_34_AndreaNicolo_IwasakidwhenIdisappearedbehindtheSun_2017 copy


From the curatorial statement: “The pursuit of fast growth is changing the way we use and perceive time. Our current perception of time is that it is something that we can control, manipulate and simulate. We live in ever more productive society, that is constantly surrounded and framed in the context of time. In the first Volume of the exhibition series Wasting Time a selected group of mostly Berlin based artists is questioning the meaning of time as an exorable medium of change, forced by (artificial) nature. In various constellations the artists show a shared interest in the notions of time, and the different ways in which the perception of time can be manipulated through (artificial) nature. Current theories about time-production play a significant role inside the exhibition as well as the reflexive treatment of time and its reception as a cultural dominated construction.”

Human Meant To Be Landscape, 2017

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Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#1/1), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#1/2), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/1), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/2), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/3), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#2/4), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (your shoes just before leaving, 17) (#3/1), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#3/2), 2017


Human Meant To Be Landscape, 2017

Human Meant To Be Landscape (#3/3), 2017

A misleading Identity Reader, 2016

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A misleading Identity Reader

A misleading Identity Reader, 2016


A misleading Identity Reader

A misleading Identity Reader, 2016


A misleading Identity Reader

A misleading Identity Reader, 2016

The Clash Of Metallic Glasses, 2016

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The Clash Of Metallic Glasses_A

The Clash Of Metallic Glasses, 2016


The Clash Of Metallic Glasses_B

The Clash Of Metallic Glasses, 2016


The Clash Of Metallic Glasses_C

The Clash Of Metallic Glasses, 2016

Restored Aura, 2016

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Restored Aura_Print

Restored Aura 01, 2016


Restored Aura_Print

Restored Aura 02, 2106


Restored Aura_Print

Restored Aura 03. 2106


Restored Aura_Print

Restored Aura 04, 2016


Restored Aura_Print

Restored Aura 05, 2016


Restored Aura_Print

Restored Aura 06, 2016


Restored Aura_Print

Restored Aura 07, 2016


Restored Aura_Print

Restored Aura 08, 2016


Restored Aura_Print

Restored Aura 09, 2016


Restored Aura_Print

Restored Aura 10, 2016


Restored Aura_Print

Restored Aura 11, 2016

Covers (selection), 2015

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Virginia Woolf

Covers. A Room for Virginia Woolf (2015)


Kafka

Covers. K owned a Castle (2015)

A Momentary Lapsus in the Night. Bee cool, bee cold, 2015

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JazzNight_ONE

A Momentary Lapsus in the Night. Bee cool, bee cold #1, 2015


JazzNight_TWO

A Momentary Lapsus in the Night. Bee cool, bee cold #2, 2015


JazzNight_THREE

A Momentary Lapsus in the Night. Bee cool, bee cold #3, 2015

The Black Tale Drawings, 2015

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The_Drunk_20151022_0001

The Black Tale Drawings. The Drunk (2015)


The_Boy_20151022_0001

The Black Tale Drawings. The Boy (2015)


The_Man_20151022_0001

The Black Tale Drawings. The Man (2015)


The_Woman_20151022_0001

The Black Tale Drawings. The Woman (2015)


The_Silent_Room_20151022_0001

The Black Tale Drawings. The Silent Room (2015)


The_Walk_20151022_0001

The Black Tale Drawings. The Walk (2015)


The_Windmill_20151022_0001

The Black Tale Drawings. The Windmill (2015)


Corporate Design _ Corporate design _ Grimmmmm (2014)

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Grimmmm_Logo_WEB2019_72dpi

Grimmuseum → Logotype (2014)


Grimmmm_Logo_WEB2019_72dpi_REV
brand-identity-mockup_grimmmm
Grimmsuem _ Portfolio2020_printed matters

Grimmuseum. Artists portfolios, Exhibition papers, Press release, Invoices, Visiting cards, 2014


KurtSchw_Ursonate

Inspired by musical notations and recordings of the 1932 Ursonate by Dada artist Kurt Schwitters, I designed 5 versions of the logotype (a), plus one only alphabetical (b) for specific media, to freely choose from.

Grimmm_Complete

(a) Grimmuseum’s 5 alternative logotypes, 2014

Grimmm_OnlyType

(b) Grimmuseum’s 5 alternative alphabetical logotypes, 2014


Grimmuseum_JanosFodor_550px

Flyer for Janos Fodor’s exhibition “Overmorrow” at Grimmuseum

CorporateDesign_Grimmuseum

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Grim_Logo_new_550px

Visual identity, Art direction, design → “Grimmuseum”. Above, logotype


logo_architecture_doors550px

A conceptualized architectonical element of the exhibition space gave the impulse for the logotype design (Here, exhibition view of “MOTION DAZZLE – At the Turn of the River”, by Merete Vyff Slyngborg, 2012. Photo by Laura Gianetti).


What is to be Chinese?, 2012

Invitation for the exhibition “What is to be Chinese?” with Kyungwoo Chun, FX Harsono, Truong Ngu, Tintin Wulia, David Zink Yi and curated by Katerina Valdivia Bruch, 2012


148x74_SoundsforSoloist.indd

Invitation for Cia Rinne’s show “Sounds for Soloists”, curated by Solvey Helweg Ovesen, 2012


Neither here nor there, 2013

Invitation for “Neither Here Nor There. Contemporary Irish” with Mark Curran, Benjamin de Burca, Maurice Doherty, David Hedderman, Jane Hughes, Sophie Iremonger, Eoin Llewellyn, LiFeLooP (aka Séamus O’Donnell) and curated by Jane Hughes & Enda O´Donoghue, 2013


POST-WAR and CONTEMPORARY, 2011

Poster for “POST-WAR and CONTEMPORARY” with Ingvild Hovland Kaldal & Alfred Boman and curated by Jonatan Ahlm Brenander, 2011


paper_grim_550
wall_text_grim_550

Exhibition texts and wall display (Photos by Laura Gianetti)


X O, 2012

Handwritten logotype for “X O”, group show including Benjamin de Burca, Hiwa K., Phanos Kyriacou, Grischa Lichtenberger, Pia Linz, Federico Maddalozzo, Anna Oppermann, Nasan Tur, Kara Uzelman, Jan Vormann and curated by Silvia Ploner and Anna Schäffler, 2012


grim_book_short

Book design of “We Are Not A Museum”. Full project here


never_odd_orange

Catalogue design of “Never Odd or Even”. Full project here


concept_art_book_short

Book design of “Henry Flynt 2011 Concept Art 50 Years”. Full project here


feather_kline_short

Catalogue design for “Feather Throat”. Full project here


i dont need enemies_consiglio_short

Catalogue design for “I Don’t Need Enemies”. Full project here


Logotype D12

Graphic design and identity for “Dirty Dozen – D12″, a series of 6 Alter Ego shows, 2010


projects

Projects series, selection of exhibition flyers. Grimmuseum’s program was divided in 3 main sections: Projects for Visual art, Extension Series for Perfomative art and Whistle, Minotaure! for Sound art. Each of the series was defined by their own specific design


148x74_Minotaure2-1
148x74_Grimmuseum_Whistle05DEF-1
whsi

Graphic design and identity for Whistle Minotaure!, sound art events curated by Francesco Cavaliere and Marcel Türkowsky


ExtensionExtra

Graphic design and identity for Extension Extra, performance festival in the frame of Extension Series


Extension6_Grimmuseum_front
Extension8Web-2
ext-1

Graphic design and identity for Extension Series, performance events curated by Andres Galeano