Posts Tagged ‘Graphic Design’

Book design_La Talpa/manifestolibri

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luca basso, manifestolibri, spazio Marx, agire in comune

La Talpa/manifestolibri, book cover design and image. Here, Luca Basso, Agire in comune (series: spazio Marx). 2021


luca basso, manifestolibri, spazio Marx, agire in comune


Massimo Canevacci, Meta-feticismo

La Talpa/manifestolibri, book cover design and cover photography. Here, Massimo Canevacci, Meta-feticismo (series: esplorazioni). 2022


Cristina Morini, Vite lavorate

La Talpa/manifestolibri, book cover design and cover image. Here, Cristina Morini, Vite lavorate (series: parola di donna). 2022


Augusto Illuminati, Ricominciare sempre di nuovo

La Talpa/manifestolibri, book cover design and cover image. Here, Augusto Illuminati, Ricominciare… (series: esplorazioni). 2022


Perrone, Quarta, Fine stigma mai

La Talpa/manifestolibri, book cover design and cover photography. Here, Persone, Quarta, Fine stigma, mai (series: esplorazioni). 2022


Rossana Rossanda, manifestolibri, parola di donna, le altre

La Talpa/manifestolibri, book cover design and image. Here, Rossana Rossanda, Le altre (series: parola di donna). 2021


Francesco Raparelli, manifestolibri, esplorazioni, singolarità e istituzioni

La Talpa/manifestolibri, book cover design. Here, Francesco Raparelli, Singolarità e istituzioni (series: esplorazioni). 2021


Ida Dominijanni, manifestolibri, contemporanea, 2011 un archivio

La Talpa/manifestolibri, book cover design. Here, Ida Dominijanni, 2001. Un archivio (series: contemporanea). 2021


Book design_Fons perdut de núvols

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FPN _ Andres Galeano

Andres Galeano, FPN (FONS PERDUT DE NÚVOLS/FONDO PERDIDO DE NUBES/LOST CLOUDS ARCHIVE), 2021 (all images courtesy of the artist)


FPN _ Andres Galeano


FPN _ Andres Galeano

Booklet design _ “Dearest Videos”, curated by Antoanetta Marinov, at Galerija Podroom, Belgrad (2018)

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Dearest Videos, Antoanetta Marinov, Belgrad, 2108

Booklet design → “Dearest Videos”, 2018


Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108
Dearest Videos, Antoanetta Marinov, Belgrad, 2108

From the exhibition statement: “… as a minimal, conceptual artist Antoanetta Marinov questions how to make stories and pictures by means of minimal and reduced actions and gestures. In performative moving images objects of everyday-day-life are combined and used in a way to make video narratives arise; Well known gestures and situation, freed from their linearity, become material of the video composition through the technical devices of the medium. The selection of videos focus on the possibilities offered by the medium video itsself and on formal strategies adopted to construct the moving picture and create narrative moments: how can an idea be made visible/viewable and what happens to the idea getting through the specific medium? (…)”


Illustration _ DUMMY MAGAZINE

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DUMMY MAfGAZINE nr. 61_2018

Illustrations → DUMMY Magazine, nr. 61, “Schwarz und Weiss” (2018)


DUMMY MAfGAZINE nr. 61_2018
DUMMY MAfGAZINE nr. 61_2018

Exhibition booklet_Songs To You About You (Islands Songs @ Arge Kunst Bozen 2018)

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Forest-new-cover

Exhibition booklet (Front cover) → “Songs To You About You” by Islands Songs (Nicolas Perret & Silvia Ploner) @ ar/ge kunst, 2018. On the cover, “Void Fish Blinks Blind #1”, artwork I made in 2018.

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Exhibition booklet (Back cover)


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(from the curator’s statement) …The nucleus of the project is the 7.1 channel sound installation “The Forest Within – Within The Forest”, a collaboration with Colombian anthropologist and biologist César Enrique Giraldo Herrera. Entangling a spoken fabulation with a polyphonic speculative score, the piece investigates indigenous narratives and knowledge of the natural world as well as sound and listening as methods for exploring the ‘non-tangible’. While the fabulation, co-written by Giraldo Herrera, sounds out animist understandings of reality by adopting various perspectives, the polyphonic score is inspired by shamanic conversations with the ‘forest within’ and delves into interspecies communications in the Amazon rainforest…


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Island S0ngs_Arge Kunst_03_1000px


Island S0ngs_Arge Kunst_04_1000px


Island S0ngs_Arge Kunst_05_1000px


Island S0ngs_Arge Kunst_06_1000px

Sample pages showing the 3 different languages (En, It, Ger)


Void Fish Blinks Blind @ Transart Festiival with Charlemagne Palestine

A color-inverted version of the artwork has been used as visual in the collaboration with Transart Festival 18 and the special event with the american composer Charlemagne Palestine.

(from the curator’s statement) …With “For Indigenous Yeasts and other Microbes”, the second work presented at ar/ge kunst, Islands Songs have set the process of transforming grape juice into wine to a soundtrack consisting of three acts written for and dedicated to microorganisms active in the production of wine. The piece – both an experiment with South Tyrolian vintner Thomas Niedermayr (Hof Gandberg, Appiano) and a soundtrack realised in collaboration with American artist and composer Charlemagne Palestine – refers to the ancient tradition of humans and microbial communities collaborating to produce food and beverages.

Graphic design_Visuals for “Il 1968 spiegato a ragazze e ragazzi” (2018)

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Francia_68_550px

“1968…” – France


1968 _ page2

“1968…” – USA


VietnamWar_68_550px

“1968…” – Vietnam


MaggioFrancese__68_550px

“1968…” – France


maggio_68_doppia_550px

“1968…” – France


maggio_68_detail

“1968…” – France (detail)


Italia_68_550px

“1968…” – Italy


Londra_68

“1968…” – Germany and England


RepressioneEstEuropa_68

“1968…” – East Europe


Cina_1968_Singola

“1968…” – Japan and China


USA_68_550px

“1968…” – USA


Miti_68_550px

“1968…”


mexicoolimpics_68_550px

“1968…” – Olympic games in Mexico City


mexicoolimpics_68_Singola

“1968…” – Olympic games in Mexico City (detail)


Vietnam_War_68_550px

“1968…” – Vietnam

Graphic design_Il 1968 spiegato a ragazze e ragazzi (2018)

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Il 1968 raccontato a ragazze e ragazzi, Marco Grispigni, manifestolibri, 2018

Book design, Illustrations → “Il 1968…” by Marco Grispigni (manifestolibri, 2018)


Nuova_MGrispigni_Copertina_1968_478px_back

“Il 1968…”. Back cover


sommario_68_550pxhig

“Il 1968…”. Content pages


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“Il 1968…”. Spread example


maggio_68_doppia_550pxH

“Il 1968…”. Double page illustration


MaggioFrancese__68_spread_550pxH

“Il 1968…”. Spread example


mappa01_68_550pxH


mappa02_68_550pxHi

“Il 1968…”. The world map


Cina_68_550pxH

“Il 1968…”. Spread example


mexicoolimpics_68_spread_550pxH

“Il 1968…”. A double page spread illustration


parolechiave_68_550pxH

“Il 1968…”. Keywords: sample pages


cronologia_doppia_550pxH

“Il 1968…”. Chronology: sample pages

Corporate Design _ Corporate design _ Grimmmmm (2014)

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Grimmmm_Logo_WEB2019_72dpi

Grimmuseum → Logotype (2014)


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brand-identity-mockup_grimmmm
Grimmsuem _ Portfolio2020_printed matters

Grimmuseum. Artists portfolios, Exhibition papers, Press release, Invoices, Visiting cards, 2014


KurtSchw_Ursonate

Inspired by musical notations and recordings of the 1932 Ursonate by Dada artist Kurt Schwitters, I designed 5 versions of the logotype (a), plus one only alphabetical (b) for specific media, to freely choose from.

Grimmm_Complete

(a) Grimmuseum’s 5 alternative logotypes, 2014

Grimmm_OnlyType

(b) Grimmuseum’s 5 alternative alphabetical logotypes, 2014


Grimmuseum_JanosFodor_550px

Flyer for Janos Fodor’s exhibition “Overmorrow” at Grimmuseum

Corporate_Design_BPigs_Berlin

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01_overview_bpigs

Visual identity → “BPigs Berlin”. Here, the first issue after the change of name (from Bigs to Bpigs) with the new calligraphic logo, 2013


Bpigs _ calligraphic
Bpigs_calligraphic_new_web72dpi

Above, the BPigs calligraphic logo (2013)


05_detail_list

Galleries and exhibitions list (detail)


bp_poster_side

The backside presented always an artist contribution in poster size


bpigs_covers2

Visual identity. Above, the different versions of the logo from 2009 to 2013


06_mappaart_n

For the 2013 Berlin Art Week issue, the artist Despina Stokou did a special version of the map


03_bigs_overview_mappa

Informations side


04_bigs_detail_mappa_n

The map (detail)


Corporate Design _ ECSA SA _ Company Profile_Icons Set

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ECSA1_bis

Pictograms design → “ECSA SA Company Profile” (2013). Above, icons for the “About” section


ECSA_4_rocket-fuel

Pictogram for “Energy Unit: Aviation fuel”


ECSA2_bis

Pictograms for “Raw Materials Business Unit: Product segment”


ECSA3_bis

Pictograms for “Maintenance Business Unit: Product segment”


ECSA_4_pellet

Pictogram for “Energy Unit: Pellet”


CorporateDesign_Grimmuseum

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Grim_Logo_new_550px

Visual identity, Art direction, design → “Grimmuseum”. Above, logotype


logo_architecture_doors550px

A conceptualized architectonical element of the exhibition space gave the impulse for the logotype design (Here, exhibition view of “MOTION DAZZLE – At the Turn of the River”, by Merete Vyff Slyngborg, 2012. Photo by Laura Gianetti).


What is to be Chinese?, 2012

Invitation for the exhibition “What is to be Chinese?” with Kyungwoo Chun, FX Harsono, Truong Ngu, Tintin Wulia, David Zink Yi and curated by Katerina Valdivia Bruch, 2012


148x74_SoundsforSoloist.indd

Invitation for Cia Rinne’s show “Sounds for Soloists”, curated by Solvey Helweg Ovesen, 2012


Neither here nor there, 2013

Invitation for “Neither Here Nor There. Contemporary Irish” with Mark Curran, Benjamin de Burca, Maurice Doherty, David Hedderman, Jane Hughes, Sophie Iremonger, Eoin Llewellyn, LiFeLooP (aka Séamus O’Donnell) and curated by Jane Hughes & Enda O´Donoghue, 2013


POST-WAR and CONTEMPORARY, 2011

Poster for “POST-WAR and CONTEMPORARY” with Ingvild Hovland Kaldal & Alfred Boman and curated by Jonatan Ahlm Brenander, 2011


paper_grim_550
wall_text_grim_550

Exhibition texts and wall display (Photos by Laura Gianetti)


X O, 2012

Handwritten logotype for “X O”, group show including Benjamin de Burca, Hiwa K., Phanos Kyriacou, Grischa Lichtenberger, Pia Linz, Federico Maddalozzo, Anna Oppermann, Nasan Tur, Kara Uzelman, Jan Vormann and curated by Silvia Ploner and Anna Schäffler, 2012


grim_book_short

Book design of “We Are Not A Museum”. Full project here


never_odd_orange

Catalogue design of “Never Odd or Even”. Full project here


concept_art_book_short

Book design of “Henry Flynt 2011 Concept Art 50 Years”. Full project here


feather_kline_short

Catalogue design for “Feather Throat”. Full project here


i dont need enemies_consiglio_short

Catalogue design for “I Don’t Need Enemies”. Full project here


Logotype D12

Graphic design and identity for “Dirty Dozen – D12″, a series of 6 Alter Ego shows, 2010


projects

Projects series, selection of exhibition flyers. Grimmuseum’s program was divided in 3 main sections: Projects for Visual art, Extension Series for Perfomative art and Whistle, Minotaure! for Sound art. Each of the series was defined by their own specific design


148x74_Minotaure2-1
148x74_Grimmuseum_Whistle05DEF-1
whsi

Graphic design and identity for Whistle Minotaure!, sound art events curated by Francesco Cavaliere and Marcel Türkowsky


ExtensionExtra

Graphic design and identity for Extension Extra, performance festival in the frame of Extension Series


Extension6_Grimmuseum_front
Extension8Web-2
ext-1

Graphic design and identity for Extension Series, performance events curated by Andres Galeano

Design_Manif_Enciclopedia68

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Enciclopedia 1968, manifestolibri

Book design → “Enciclopedia del ’68” (Manifestolibri 2008). On the cover, illustration and handdrawn typeface inspired by political flyers from the Sorbonne University in 1968


Enciclopedia 1968, manifestolibri


Enciclopedia 1968, manifestolibri


Enciclopedia 1968, manifestolibri